In the evocative film shown here, Barret Oliver brings his darkroom and gear to the Huntington Library to produce hauntingly beautiful work 'in the usual manner' of the nineteenth-century photographer.

Drawing from his experience as a fire-lookout in the Sequoia forests of the Sierra Nevada in California, Armand Yervant Tufenkian constructs a careful study of the visual documentation of forest fires. Shot on 16mm but bringing together various media technology (from painting to photography to surveillance webcams) and modes of representation, In the Manner of Smoke moves back and forth between California, where Tufenkian’s camera scans the landscape, and London, where artist Dan Hays is observed as he meticulously reproduces, painting pixel by pixel, blown-up webcam footage from the look-out cabin, including images from a particularly devastating fire in 2015 when the landscape choked with smoke for several days. “Reverie and observation forge relations among a landscape painter in London and a veteran fire lookout in California […] the film forms an ecology of images from distinct and ultimately interlinked perspectives.”

A horrific and, on the face of it, incomprehensible murder has just been committed on the unsympathetic person of a loan shark. The victim's body is found lifeless, but the circumstances of his death are far from clear. For want of anything better to go on, the police immediately suspect a penniless gentleman who had the bad idea and misfortune to be present at the time of the crime. The police don't take the time to look for other possible suspects, and are not at the end of their surprises. A dark story seems to lie behind this imbroglio of incoherent facts.

Feyza, Zuhal and Nehir surprise their husbands to celebrate the anniversary of their husband's hotel. However, this surprise has unexpected consequences. These women, who suddenly find themselves in the middle of various actions, will enter the world of men quite eventful.

Forty years old is a perfect age to change ones life. The hero makes a decision to quit the psychotherapist's cabinet, which he is sick and tired of and become a poet. To become a freelance artist. A trifle remained to cope with to persuade the wife.

After seeing her husband fail in fighting a battle to keep his factory open, a manageress loses her job in a disagreement with the manager over sexual harassment of her staff. She accepts the advice of her father and joins his son, a left-wing organizer, and takes her plight to the union.

Documentary that includes interviews with Singer as well as the rest of the cast - mainly Spacey. There is no "plot" or "promotional" elements to this documentary - all of the information offered is substantial and informative as we are let in on all the details of trying to seek out the right actors for the parts, as well as the thoughts of the actors about joining an independent production helmed by a young director. Part 2 is a more interesting look at the production itself, complete with the problems and obstacles that faced the low-budget feature, as well as the happier memories of the work that the cast and crew went through. There's a lot of discussion of the infamous laughter during the lineup sequence, complete with a few outtakes of the scene.

Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.

Documentary about the origins and making of the 1995 Oscar-winning suspense thriller. Includes rare unseen footage and revisits many of the film's iconic LA locations

On their first day on the job, a handyman feline and his dog try to get rid of some pesky bees in hoping for a second job.